Impressionism between art and science : light through the prism of Augustin Fresnel : from 1790 to 1900

Impressionism between art and science : light through the prism of Augustin Fresnel : from 1790 to 1900

Hermann | novembre 2020
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Impressionism between art and science

Light through the prism of Augustin Fresnel (from 1790 to 1900)

1820. Painting was undergoing a profound transformation. Representations of reality no longer took precedence over colour. Details were becoming less important and, above all, light began to vibrate, achieving predominance, and announcing Impressionism. In the scientific field, Augustin Fresnel, a young graduate from the École Polytechnique, demonstrated, with the help of his friends André-Marie Ampère and François Arago, that light was made up of waves rather than particles, a theory that ran counter to Newton and all the scientists of the time.

The fact that these scientific and pictorial revolutions occurred at the same time - a phenomenon that, to our knowledge, has never previously been explored by art historians - is troubling. Through the prism of Augustin Fresnel, we find many fascinating examples of the wave character of light in Impressionist painting, the master of which was Monet. Aspects of undulation and diffraction stand out. But how can we explain the fifty-year period separating the discovery of the wave-like nature of light and the port of Le Havre depicted in Monet's Impression, Sunrise (1872), considered as the first Impressionist painting ? We attempted to reply to this question by gathering together art historians, artists and physicists at a conference organised by the Louvre and the École Polytechnique, two establishments founded during the French Revolution.

Résumé

Issues d'une conférence, ces contributions d'historiens de l'art, d'artistes et de physiciens analysent le rapport entre deux grands bouleversements scientifique et artistique du XIXe siècle : la découverte de la lumière ondulatoire par A. Fresnel en 1820 et le traitement de la lumière dans les tableaux impressionnistes. ©Electre 2024

Caractéristiques

Éditeur(s)
Date de parution
3 novembre 2020
Rayon
Peinture, gravure
Contributeur(s)
Gérard Mourou (Editeur scientifique (ou intellectuel)), Michel Menu (Editeur scientifique (ou intellectuel)), Monica Preti (Editeur scientifique (ou intellectuel)), Edmond Amouyal (Editeur scientifique (ou intellectuel))
EAN
9791037005281
Nombre de pages
211 pages
Reliure
Relié
Dimensions
28.0 cm x 22.0 cm x 1.7 cm
Poids
1060 g